Korg Kronos X88

Rp 35.500.000

Jual Synthesizer Korg Kronos X88 Asli. The KRONOS X provides a total of six channels of audio input: 2 analog channels, 2 digital channels (S/P DIF optical,

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  • Description
  • Additional Information

Product Description

Korg Kronos X88

System
KRONOS System Version 2.0
Keyboard
88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted

Tone Generator

Synthesis Types:
9 types
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer(PCM)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked Strings (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)
Maximum Polyphony*1*2:
SGX-1:100 voices*3
EP-1:104 voices
HD-1:140 voices
AL-1:80 voices
CX-3:200 voices
STR-1:40 voices
MOD-7:52 voices
MS-20EX:40 voices
PolysixEX:180 voices
Preset PCM:
314 MB (ROM 1,505 multisamples, 1,388 drum samples)
Build-in Expansion PCM Libraries:
EXs1 – ROM Expansion
EXs2 – Concert Grand Piano
EXs3 – Brass & Woodwinds
EXs4 – Vintage Keyboards
EXs5 – ROM Expansion 2
EXs6 – SGX-1 German D Piano
EXs7 – SGX-1 Japanese C Piano
EXs8 – Rock Ambience Drums
EXs9 – Jazz Ambience Drums
Capacity of PCM RAM:
Approx. 2 GB *4
Wave Sequences:
598 user memory, 165 preload
*1 A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate   portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power   between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice  processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)
*4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 1,129 MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”).

SGX-1 Program

Premium Piano
PCM:
EXs6:SGX-1 German D Piano
EXs7:SGX-1 Japanese C Piano
Exs12 – SGX-1 Austrian Piano (Option Sound Libraries, DEMO Version is pre-installed)
Piano Type:
32
Oscillator Control:
Damper Resonance
Damper Noise
Mechanical Noise
Note Release

EP-1 Program

MDS Electric Piano:
Tineand reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects
Electric Piano Model Types:
6 types
Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP 200, Reed EP200A
Oscillator Control:
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer (Width)
Panel Control:
Tine Type: Preamp Volume,Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet(On/Off, Drive)*5
Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Effect Types:
9 types
Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
*5 Each electric piano type has own amp/cabinet character

HD-1 Program

Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Structure:
Single: only OSC1
Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc. Two completely separate drumkits.
Oscillators:
8 velocity zones per oscillator, with switching, crossfades and layering.
Each zone can play mono or stereo Multisamples or Wave Sequences.
Filters:
Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver:
Per voice non-linear driver and low boost circuit
EQ:
Three bands, with sweepable mid
Modulation:
Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

EXi Program Common

Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Modulation:
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQ:
Three bands, with sweep-able mid

AL-1 Program

Oscillators:
Ultra-low-aliasing oscillators OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input:
Run real-time audio through the synthesis engine
Filters:
Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
Driver:
Per-voice non-linear driver and low boost circuit
Modulation:
Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.

CX-3 Program

Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
Two AMS mixers

STR-1 Program

Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes)
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

MOD-7 Program

Waveshaping VPM Synthesizer:
Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
Oscillators:
6 VPM/Waveshaper/Ring Modulation Oscillators: Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
PCM Oscillator: Korg’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.
Audio input:
Run real-time audio through the VPM Oscillators and filters.
Filters:
Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Patch Panel:
Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation:
10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

MS-20EX Program

Oscillators:
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio Input:
Run real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters:
12dB/octave High Pass and Low Pass self-resonant filters
ESP section: 24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel:
Patchable audio and modulation, at audio rates
Patch Points:
【KEYBOARD】KEYBOARD CV OUT、KEYBORD TRIGGER OUT、VCO1+VCO2 CV IN、VCO2 CV IN【VCO】VCO1+VCO2 EXTERNAL FREQUENCY CONTROL IN、VCO1 OUT、VCO2 OUT【VCF】EXTERNAL SIGNAL IN、EXTERNAL HP FILTER CUTOFF FREQUENCY CONTROL IN、EXTERNAL LP FILTER CUTOFF FREQUENCY CONTROL IN、HPF OUT、LPF IN、LPF OUT【VCO+VCF】TOTAL EXTERNAL MODULATION INEXTERNAL INITIAL GAIN CONTROL IN、VCA INEG1 ENVELOPE SIGNAL NORMAL OUT、EG1 ENVELOPE SIGNAL REVERSE OUT、EG1+EG2 TRIGGER IN、EG1 TRIGGER IN、EG2 ENVELOPE SIGNAL REVERSE OUT【MG】TRIANGLE OUT、RECTANGLE OUT【NOISE GENERATOR】PINK NOISE OUT、WHITE NOISE OUT【SAMPLE AND HOLD】CLOCK TRIGGER IN、SAMPLE SIGNAL IN 、S/H OUT【MODULATION VCA】CONTROL VOLTAGE IN 、SIGNAL IN 、SIGNAL OUT【MANUAL CONTROLLER】CONTROL WHEEL OUT、MOMENTARY SWITCH【ESP】SIGNAL IN、AMP OUT、BPF IN、BPF OUT、F-V CV OUT、ENVELOPE OUT、TRIGGER OUT【OTHERS】EXi AUDIO IN、MIXER 1 IN、MIXER 1 OUT、MIXER 2 IN、MIXER 2 OUT
ESP(External Signal Processor):
Use incoming audio as a trigger and/or CV source.
Modulation:
Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers

PolysixEX Program

Oscillators:
VCO:Saw, Pulse, PWM
Sub Oscillator:Off, 1 octave below, 2 octaves below
Filter:
24dB/octave Low Pass self-resonant filter
Effects:
Integrated Polysix Chorus, Phase, and Ensemble
Arpeggiator:
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation:
Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers

Combination

Number of Timbres, Master Keyboard Functionality:
16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit

System:
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Program/Combination/Drum Kit

2,560 user memory program(1,536(768 HD-1+768 EXi)pre-loard), 1,792 user memory program(480 pre-loard), 264 user memory program(78 pre-loard)

Sampling

System:
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency:
RAM: 16-bit/48 kHz stereo/mono sampling
DISK: 16 or 24-bit/48 kHz stereo/mono sampling
Sampling Time:
RAM: Depends on the amount of available PCM RAM
DISK: Maximum 80 minutes stereo (879MB: 16bit)
Sample Locations:
16,000 samples/4,000 multisamples (128 indexes per multisample)
Ripping:
Direct sampling (ripping) from audio CD (CD-DA)
Formats:
Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
Editing:
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects:
12, Stereo in / stereo out
Master Effects:
2, Stereo in / stereo out
Total Effects:
2, Stereo in / stereo out
Timbre EQ:
High, low, and mid band
Effect Types:
185
Modulation:
Dynamic Modulation and Common LFO
Effects Control Busses:
Two stereo side chains
Effect Presets:
783, Maximum 32 per 1 effect (Preset User)

KARMA

KARMA Modules:
One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE):
2,048 presets, 1,536 Users (96 come Preload)
Controllers:
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

Sequencer/HDR

Tracks:
16-track MIDI sequencer + 16-track hard disk recorder + master track
Number of Songs:
200 songs
Resolution:
1/480
Tempo:
40.00 – 300.00 (1/100 BPM resolution)
Maximum memory:
400,000 MIDI events or 300,000 audio events
MIDI Tracks:
16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs
Format:
Korg (KRONOS, OASYS) format, SMF formats 0 and 1.
Audio Tracks:
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Maximum single-file recording time (mono):
80 minutes
Automation:
Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust
RPPR (Realtime Pattern Play and Record):
1 Pattern set per song

General

Disk Mode:
Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6
*6 Need to use with External USB CD Drive, etc.
Controllers:
Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
Control Assign Switches: Assigns the Control Surface to Timber/Track, Audio, External, Real-time Knobs/KARMA, or Tone Adjust.
Mixer Knobs Switch: Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
KARMA Control: On/Off, Latch, Chord Assign, module Control
Display:
TouchView graphical user interface, 8 inch TFT, SVGA (800×600 dots), adjustable brightness
Outputs:
L/MONO, R: 1/4”
Balanced; 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
Individual 1-4: 1/4”
Balanced; 350 Ω
Stereo; 175 Ω Mono
Nominal Level: +4.0 dBu
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
Headphones: 1/4” stereo phone jack
Output impedance: 33 Ω
Maximum Level: 60+60 mW (when load impedance is 33 Ω)
S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
USB-B: 24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
1/4” Balanced; Input Impedance: 10 kΩ
Nominal Level: +4.0 dBu
Maximum Level: +16 dBu
Source Impedance: 600 Ω
S/N: 95 dB (Typical)
Dynamic Range: 95 dB (Typical)
Crosstalk: 95 dB (at 1 kHz, Typical)
Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI:
In, Out, Thru
USB:
USB A (TYPE A) x 2 (for connection to external USB devices)
USB B (TYPE B) x 1 (MIDI/audio interface, MIDI:1(16ch) input /1(16ch) output, Audio:2channel input / 2channel output), 2 USB high-speed ports (supports 480Mbps)
Disk Drives:
62 GB SSD (2.5”)
Power Consumption:
60W

Premium-quality effects suite – use up to 16 effects simultaneously

FX

KRONOS X provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1/2, and two Total effects can be applied to all tracks at the final stage of the sound. Each effect offers 185 distinct effect types, covering every possible sound-shaping need. Examples include a high-resolution reverb, chorus, delay, guitar amp and cabinet modeling, and even vocoding. Each effect provides up to 72 adjustable parameters, as well as numerous real-time modulation possibilities, delivering outstanding versatility.
A separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.

Performance Power!
Set List screen provides single-touch selection, regardless of mode

Set List

In creating KRONOS X, we listened to many musicians from around the world. Our goal was to change the way musicians interacted with their instrument to provide a more fluid, expressive, and natural experience.
At one level, this meant providing a comprehensive yet intuitive control surface. But with KRONOS X, we wanted to take these ideas even further, creating an instrument ideally suited to the way musicians play.

Smooth Sound Transition eliminates dropouts when changing sounds

KRONOS X features our Smooth Sound Transition technology. This powerful addition is designed to maintain any currently held, played, or sustaining notes (with their effects), helping to prevent drop-outs from occurring when you switch sounds or change from Program mode to Combi mode.
A high level of technology has been applied to finally bring this sought-after ability to reality, fulfilling the requests of many musicians.

RH3 real weighted hammer action keyboard for both 88-key and 73-key.

The 88-key model of the KRONOS X features the same RH3 real weighted hammer action keyboard that’s used on KORG’s upper-end piano models and on the SV-1. The hammer weighting is graded, providing a heavier feel in the lower register and a lighter feel in the upper register, just as on a grand piano, offering superb playability.
Boldly, the 73-key model also features this same RH3 keyboard, creating a more compact and transportable instrument that still provides superior piano and electric piano sounds teamed with an authentic piano touch. KRONOS X is notable for its slim design, showing an integration of function and design.

Enhanced, color TouchView display

LCD View
TouchView

KORG’s TouchView graphical user interface is based on a large, color 8-inch (800 x 600 pixel) touch screen. The TouchView display is the centerpiece of KORG’s intuitive design, providing easy-to-view information and simple touch control.
In developing KRONOS X, we also incorporated numerous images of actual instruments and their respective controls into the display, to ensure that the musician enjoys the feeling of playing an instrument – rather than controlling a machine.

Support for USB MIDI and Korg USB pad controllers

microKEY 25

microKEY 25

nanoPAD2

nanoPAD2

KRONOS X provides support for connecting USB MIDI class-compliant controllers directly to the KRONOS X.
For instance, you can use a Korg microKEY as an auxiliary synth-action keyboard for a KRONOS X-73 or 88. Even better, KORG USB MIDI controllers with pads–including the nanoPAD, nanoPAD2, and padKONTROL–are automatically mapped to the KRONOS chord pads, for playing and programming drums, triggering chords, and selecting and assigning chords for Chord Mode.

KRONOS Editor and Plug-In Editor*

KRONOS X is supported by the KRONOS Editor and Plug-In Editor*, which let you edit and organize sounds from a Mac OS X or Windows computer. Plug-in operation allows you to save settings as part of your project with any VST-compatible Windows software, or any VST- or AU-compatible software on Mac OS X. The KRONOS Editor and Plug-In Editor are available for free download at here.
*Please use Version 2.0 or later

  •  Opening Window

    Editor 1

  •  Program Edit with Logic

    Editor 2

  •  Program Edit with Cubase

    Editor 3

KRONOS Editor/Plug-in Editor download

High Speed Data Communication

This USB Ethernet functionality lets you use a commercially available USB Ethernet adaptor to transmit files and data easily and at high speed between the KRONOS X and your computer.

You can create backup files on your computer, send sample data at high speed from your computer to the KRONOS X, and use your computer to manage data that’s on the KRONOS X’s internal disk. By enhancing the integration with your computer it’s now even easier to get your musical projects completed.

*By attaching a commercially available USB Ethernet adapter to the KRONOS X, you’ll be able to exchange data with your computer via a LAN cable. Standard FTP software for each operating system can be used.

Operation has been verified with the following USB Ethernet adapters:

Apple MC704ZM/A
CISCO Linksys USB300M
TRENDnet TU-ET100C
BUFFALO LUA3-U2-ATX
BUFFALO LUA-U2-KTX
BUFFALO LUA3-U2-AGT
Planex UE-100TX-G3
Logitec LAN-TX/U2B Logitec LAN-TX/U2H3
I-O DATA ETX3-US2
Logitec LAN-TX/U2H3
I-O DATA ETX3-US2

Versatile Array of Audio Inputs and Outputs

The KRONOS X provides a total of six channels of audio input: 2 analog channels, 2 digital channels (S/P DIF optical, 48 kHz/24-bit), and 2 USB channels. As audio outputs, you have the 2 main channels (L/MONO, R) as well as four independent audio outputs, 2 digital channels (S/P DIF optical, 48 kHz/24-bit), and 2 USB channels (note: the 2 digital channels and 2 USB channels output the same signal as the main L/R output). All analog inputs and outputs support TRS balanced connections. The analog inputs provide a MIC/LINE select switch and an independent level control for each channel, offering the flexibility to meet any situation.

In addition to the type-B USB connector used for communicating with your computer, there are two type-A USB 2.0 ports for use with external storage media such as flash memory, hard drives, or CD-R/RW and DVD drives. The output of the KRONOS X can be resampled to a USB storage device such as a hard drive, or connected to USB CD-R/RW drive to create audio CDs.

Rear

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Additional Information

Weight 64 kg